Exhibition view, "the missing Thing", Galerie Jocelyn Wolff, February 2022, Photos by François Doury
Exhibition view, "the missing Thing", Galerie Jocelyn Wolff, February 2022, Photos by François Doury
Exhibition view, "the missing Thing", Galerie Jocelyn Wolff, February 2022, Photos by François Doury
Exhibition view, "the missing Thing", Galerie Jocelyn Wolff, February 2022, Photos by François Doury
Exhibition view, "the missing Thing", Galerie Jocelyn Wolff, February 2022, Photos by François Doury
Exhibition view, "the missing Thing", Galerie Jocelyn Wolff, February 2022, Photos by François Doury
View of Élodie Seguin's personal exhibition 'yes not' at Museo de Arte Contemporáneo de Buenos Aires (MACBA), Argentina, 2019.
Detail of Searching for the grey of the wall by Élodie Seguin, 2019, silkscreen on paper, unique, 48 elements, 70 x 30 x 10 cm approx. each.
Élodie Seguin, White Volume (Zbis), 2018, acrylic paint and inks on paper, 55 x 76 cm.
Élodie Seguin, Incontri di luci radenti, 2018, wall painting, unique, dimensions variables (site specific).
Élodie Seguin, Résistance 5, 2017, wood, ink, polyurethane paint, plaster, plexiglas, unique, 39,3 x 95 x 1,8 cm.
Élodie Seguin, Dos au mur, 2017, wood, ink and polyurethane paint, unique, 102,8 x 70 x 1,5 cm.
Élodie Seguin, Installation, 2017, wood, ink, polyurethane paint and plaster, unique, dimensions variables. View of the artist's solo show 'Peinture sculpture peinture' at Galerie Jocelyn Wolff, Paris, France, 2017.
Élodie Seguin, Peinture écrin, dark green, 2015, MDF, paint, glue and varnish, unique, 11,1 x 98,3 x 41,4 cm.
Elodie Seguin
Born in Paris, France in 1984
Lives and works in Paris, France
"It would be almost possible to define Elodie Seguin’s work by the space surrounding it, as though deducing it. It so thoroughly inserts itself there, that it sometimes seems impossible to say if it inspires itself from this space, or if, instead, the space issues from within it, to a certain degree. The materials glide in, or brush past, settling there without imposing themselves, so as to be more suggestive. Rigour combined with fragility are the great strengths of this young French artist. Purely pictorial, though without ever becoming embodied on a framed canvas, her pieces act as multiple media, without ever quite denying their painterly nature." Text by Aude Launay, 2016.
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